[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.22.1″ _module_preset=\u00bb86455770-bee1-437e-a943-6f643df6ecc0″]<\/p>\n
\u201cFragments: Architecture of the Holocaust, An Artist\u2019s Journey through the Camps\u201d<\/strong><\/p>\n El artista Karl Koenig aplic\u00f3 su ojo fotogr\u00e1fico y utiliz\u00f3 los impresionantes efectos de sus t\u00e9cnicas fotogr\u00e1ficas de impresi\u00f3n gumoil para explorar los restos arquitect\u00f3nicos de 10 campos de concentraci\u00f3n nazis. Su estilo y expresivo m\u00e9todo de grabado le permitieron ofrecer una interpretaci\u00f3n \u00fanica de lo que estos edificios pudieron haber sido para los prisioneros en los campos de concentraci\u00f3n.<\/p>\n Koenig descubri\u00f3 el m\u00e9todo gumoil policrom\u00e1tico en 1990. Las fotograf\u00edas fueron tomadas en un periodo de 10 a\u00f1os (1994-2004) en 10 campos diferentes. Basado en su libro con el mismo t\u00edtulo, la exposici\u00f3n resalta un impreso de cada campo: Mauthausen, Breendonck, Theresienstadt, Buchenwald, Dachau, Sachsenhausen, Vught, Auschwitz, Auschwitz II y Majdanek.<\/p>\n Analizando su obra antes de su muerte en 2012, Koenig dijo \u201cMi intenci\u00f3n es que el espectador observe intensamente edificios espec\u00edficos o detalles arquitect\u00f3nicos, por horribles u ordinarios que parezcan, y que se transporte dentro de los mismos… Sin embargo, una vez dentro, el observador se encuentra en el interior del infierno de los campos\u201d.<\/p>\n El horario de la biblioteca es de 10 a. m. a 5 p. m. de lunes a viernes.<\/p>\n Libro de Koenig, \u201cFragmentos: arquitectura del Holocausto. El viaje de un artista a trav\u00e9s de los campos\u201d est\u00e1 dedicado a Naomi Warren y Colonel William Salman. La esposa de Koenig, Frances Salman Koenig, quien tiene un doctorado en filosof\u00eda, desempe\u00f1\u00f3 un papel fundamental en la creaci\u00f3n del libro y asistir\u00e1 a la apertura junto con otros familiares. El libro de Koenig estar\u00e1 a la venta durante la exposici\u00f3n.<\/p>\n Para m\u00e1s informaci\u00f3n, llame al 713-942-8000<\/a> o env\u00ede un correo electr\u00f3nico a exhibits@hmh.org<\/a>.<\/p>\n 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