BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Holocaust Museum Houston - ECPv6.15.14//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Holocaust Museum Houston
X-ORIGINAL-URL:https://hmh.org/es/
X-WR-CALDESC:Eventos para Holocaust Museum Houston
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20020407T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20021027T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20030406T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20031026T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20040404T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20041031T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20050403T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20051030T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20060402T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20061029T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20070311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20071104T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20080309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20081102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20090308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20091101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20100314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20101107T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20110313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20111106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20120311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20121104T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20130310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20131103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20140309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20141102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20150308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20151101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20160313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20161106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20170312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20171105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20180311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20181104T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20190310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20191103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20200308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20201101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20210314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20211107T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20030113
DTEND;VALUE=DATE:20230626
DTSTAMP:20260404T113840
CREATED:20230919T134329Z
LAST-MODIFIED:20230919T134340Z
UID:10000829-1042416000-1687737599@hmh.org
SUMMARY:Woman\, the Spirit of the Universe
DESCRIPTION:Woman\, the Spirit of the Universe features stunning bronze collars inspired by 23 American heroines who fought bravely and tirelessly for equality. The collars are stitched by hand using hand-worked cotton and then cast in bronze. For most of us\, a collar is simply an adornment for a shirt or dress. In Carolyn Marks Johnson’s art\, a collar symbolizes the struggle to establish women’s rights. \nThe women featured in the exhibition span generations\, from Margaret Brent\, who practiced de facto law in the late 1600s to two giants of Texas politics\, Governor Ann Richards and Representative Barbara Jordan. Other leading women in the exhibition include Dolores Huerta\, who championed labor rights; Chief Wilma Mankiller\, first female chief of the Cherokee Nation; Sojourner Truth\, who carried the message of abolition to every part of America she could reach; and abolitionist and social activist Harriet Tubman\, known for freeing enslaved people through the Underground Railroad. \nThe most recognizable collar of the exhibition represents the late Associate Justice of the Supreme Court Ruth Bader Ginsburg\, affectionately known as Notorious RBG. Ginsburg wore different collars to express a variety of messages while sitting on the court\, inspiring young girls and women of all ages to speak up for things they believe in. \nJohnson just completed two new collars that will debut in the HMH exhibition to honor former Houston Mayor Annise Parker and the city’s first librarian Julia B. Ideson. Parker\, a longtime public servant and one of the first openly gay mayors of a major U.S. city\, served as Houston Mayor from 2010 to 2016. She is a former HMH board member and 2010 recipient of the Museum’s Guardian of the Human Spirit Award. Since 2017\, Parker has served as president of the Gay and Lesbian Victory Fund and Leadership Institute. Julia B. Ideson was in the first class to major in the new discipline of Library Science at The University of Texas. Hired in 1903\, she managed Houston’s library services until her death in 1945. Ideson is known for starting five neighborhood libraries and creating the first bookmobile. She was also active in the women’s suffrage movement\, the League of Women Voters\, and was the first Houston woman listed in Who’s Who in America. \nIn 1985\, Carolyn Marks Johnson graduated from South Texas College of Law in Houston\, Texas. After a prominent career as a lawyer\, Johnson served as a senior district judge in Harris County. During her spare time\, Johnson was a docent for the Heritage Society and the Museum of Fine Arts\, Houston (MFAH). Johnson then decided to enroll at The Glassell School of Art and graduated with a painting degree in 2014. Today\, when not sitting by assignment as a retired senior district judge\, arbitrator\, mediator\, umpire\, she studies sculpture and is actively involved in women’s rights. \nThe late Philip Renteria (1947-1999)\, a friend and sculpture teacher at The Glassell School of Art\, suggested the title of the exhibit and the idea in conversation with Johnson about one of his own works. He believed that the spirit of the universe is feminine\, and a woman’s spirit holds the universe together.\n			\n				get tickets
URL:https://hmh.org/es/event/woman-the-spirit-of-the-universe/
LOCATION:Lester and Sue Smith Human Rights Gallery
CATEGORIES:Exposiciones
ATTACH;FMTTYPE=image/jpeg:https://hmh.org/wp-content/uploads/sca3231.jpg-1000x647-q85-subsampling-2-upscale.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210430
DTEND;VALUE=DATE:20211018
DTSTAMP:20260404T113840
CREATED:20230919T135405Z
LAST-MODIFIED:20231002T045652Z
UID:10000830-1619740800-1634515199@hmh.org
SUMMARY:Resistir: Arte latino en tiempos de conflicto
DESCRIPTION:The People of Mexico Wood Fancher Anthony\, 2017\, Oil on canvas\, 48 x 60 inches												\n																																 \n									\n																			\n												The People of Mexico Wood Fancher Anthony\, 2017\, Oil on canvas\, 48 x 60 inches											 \n																																\n														\n																	\n\n																			\n																							\n													La Cempacihuatl Tina Hernandez\, 2020\, Photo ink-jet print in a vintage frame\, 31 x 26 ½ x 3 inches												\n																																 \n									\n																			\n												La Cempacihuatl Tina Hernandez\, 2020\, Photo ink-jet print in a vintage frame\, 31 x 26 ½ x 3 inches											 \n																																\n														\n																	\n\n																			\n																							\n													Could Be King Clinton Millsap\, 2020\, Iron oxide and acrylic on canvas\, 40 x 30 inches												\n																																 \n									\n																			\n												Could Be King Clinton Millsap\, 2020\, Iron oxide and acrylic on canvas\, 40 x 30 inches											 \n																																\n											\n							\n		\n		\n\n			\n				\n				\n				\n				\n				La guía en español del Centro Boniuk del Museo del Holocausto de Houston e Iniciativas Latinas invitan a artistas latinxs del área de Houston para participar en: Resistir: arte latino en tiempos de conflicto.    \nEsta exposición investiga la idea de resistencia y sus múltiples ramificaciones en las artes visuales\, así como el impacto del conflicto político y / o social en el proceso creativo. La exposición también explora temas de justicia social y derechos humanos para inspirar conversaciones provocadas por las obras de arte de artistas latinxs de Houston. Resistir pretende ser una plataforma que examine los problemas que impactan a la comunidad\, fomente el diálogo sobre cuestiones difíciles y\, en última instancia\, potencie el cambio social a través del arte. Los artistas deben seleccionar obras que reflejan estos temas literal o metafóricamente. \nLa muestra estará exhibida conjuntamente con la beca del Instituto Silverman Latinoamericano. Se invitan a los artistas latinxs a unirse a la conversación sobre el arte como catalizador del cambio y a unirse a los educadores y a los interesados ​​en la promoción para aprender acerca de justicia social\, derechos humanos y el Holocausto. \nEsta exposición está curada por las curadoras invitadas Gabriela Magana y Rosa Ana Orlando. \nGabriela Magana\, artista y curadora nació y creció en México radicada en Houston. Tiene una licenciatura en pintura de la Universidad de St. Thomas Houston y actualmente está trabajando en una maestría en liderazgo artístico de la Universidad de Houston. A lo largo de su carrera en México\, Estados Unidos y España\, se ha interesado en crear un espacio de diálogo\, conexión e inclusión en las artes. \nRosa Ana Orlando es una especialista en museos con un amplio conocimiento en historia del arte. Tiene más de 15 años de experiencia en la gestión de colecciones de arte\, así como también una sólida formación en planificación y diseño de exposiciones. Ha enseñado apreciación del arte a nivel universitario y ha sido docente en una variedad de museos incluyendo museos de arte\, de historia y museos para niños. Como curadora y consultora de arte independiente\, Rosa Ana ha dirigido varios proyectos curatoriales y una variedad de programas de educación artística. También ha brindado tutoría a varios artistas emergentes y profesionales de museos. Su atención al detalle\, entusiasmo y pasión por el poder transformador del arte se reflejan en todos sus proyectos. Rosa Ana es ingeniera con una Maestría en Artes Liberales y una Maestría en Estudios de Museos de la Universidad Johns Hopkins. Nació y creció en Caracas\, Venezuela y ha vivido en los Estados Unidos desde 2003. \nEl Instituto Latinoamericano Silverman\, con el apoyo del Fondo de Dotación Tte. David L. Silverman\, reunirá a 30 educadores de América Latina y Estados Unidos para estudiar el Holocausto\, los derechos humanos y la justicia social. Trabajando juntos entre varios países\, crearán redes que mejorarán las colaboraciones en curso. El Instituto Latinoamericano Silverman será bilingüe en inglés y español..\n			\n				\n				\n				\n				\n				Más \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Latinx Heritage Month | septiembre 30\, 2021Citizen Illegal: An Evening with Poet José Olivarez \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Latinx Heritage Month | octubre 7\, 20212022 Texas Poet Laureate Lupe Mendez
URL:https://hmh.org/es/event/resistir-arte-latino-en-tiempos-de-conflicto/
LOCATION:Mincberg Gallery
CATEGORIES:Exposiciones
END:VEVENT
END:VCALENDAR